Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 18
... verbal expressions of , or accretions to , a nonliterary event , one may explore the nature of the relationship be- tween verbal interpretation and nonrepresentational action more mean- ingfully . This relationship , which is perhaps ...
... verbal expressions of , or accretions to , a nonliterary event , one may explore the nature of the relationship be- tween verbal interpretation and nonrepresentational action more mean- ingfully . This relationship , which is perhaps ...
Side 134
... verbal exegesis has consider- ably increased our awareness of the presence and import of Shake- speare's puns and their connections to that rhetorical tradition . Still , to conceive of Shakespeare's plays as some kind of symbolic or ...
... verbal exegesis has consider- ably increased our awareness of the presence and import of Shake- speare's puns and their connections to that rhetorical tradition . Still , to conceive of Shakespeare's plays as some kind of symbolic or ...
Side 135
... verbal expression of postritual sport ( nonsense , impertinency , etc. ) from the representational standards of true ... verbal action : it repro- duces the movement ( and it retains the contradiction ) between nonsense and dialogue ...
... verbal expression of postritual sport ( nonsense , impertinency , etc. ) from the representational standards of true ... verbal action : it repro- duces the movement ( and it retains the contradiction ) between nonsense and dialogue ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York