Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side xiv
... unity . " 3 This unity is the basis of all our veneration for Shakespeare ; without it the impact of his work would not be possible . At the same time , this unity does not preclude a contradiction that is the basis of all our ...
... unity . " 3 This unity is the basis of all our veneration for Shakespeare ; without it the impact of his work would not be possible . At the same time , this unity does not preclude a contradiction that is the basis of all our ...
Side 9
... unity of production and reception — that is , we find a positive and functional relationship between those who performed and those who attended the play . Once this unity was disrupted , the chorus was bound to disappear , as it did ...
... unity of production and reception — that is , we find a positive and functional relationship between those who performed and those who attended the play . Once this unity was disrupted , the chorus was bound to disappear , as it did ...
Side 92
... unity of word and action becomes quite evident . A ! my nek has lygen wrang Enoghe . Mekill thank ! ( 380 ff . ) This is precisely the kind of dramatic speech that we find , say , in Lear's befuddled exchange with Gloucester , or in his ...
... unity of word and action becomes quite evident . A ! my nek has lygen wrang Enoghe . Mekill thank ! ( 380 ff . ) This is precisely the kind of dramatic speech that we find , say , in Lear's befuddled exchange with Gloucester , or in his ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York