Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionCriticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Studies in the Social Dimension of Dramatic Form and Function Robert Weimann Robert Schwartz. Christian mass to the mimetic representation of biblical myth in terms of later medieval reality and sensibility , involves more questions ...
Studies in the Social Dimension of Dramatic Form and Function Robert Weimann Robert Schwartz. Christian mass to the mimetic representation of biblical myth in terms of later medieval reality and sensibility , involves more questions ...
Side 99
The rise of the Tudors was based on a centralization of economic and political power , but one that proceeded at a very considerable remove from the traditional social structure of the medieval country town or the largely immobile ...
The rise of the Tudors was based on a centralization of economic and political power , but one that proceeded at a very considerable remove from the traditional social structure of the medieval country town or the largely immobile ...
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social organism itself . To make this dimension an imaginative possibility , it is clearly not sufficient to have , say , various social concepts of " honor , ” “ “ merit , ” or “ virtue ” existing side - by - side ( as by and large was ...
social organism itself . To make this dimension an imaginative possibility , it is clearly not sufficient to have , say , various social concepts of " honor , ” “ “ merit , ” or “ virtue ” existing side - by - side ( as by and large was ...
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Indhold
THE MIMUS | 1 |
The Tradition of the Fool | 11 |
Topsyturvydom in Ceremony and Performance | 20 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York
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Bibliografiske oplysninger
| Titel | Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function Bind 120 af Monographs and textbooks in pure and applied mathematics |
| Forfatter | Robert Weimann |
| Redaktør | Robert Schwartz |
| Udgiver | Johns Hopkins University Press, 1978 |
| Oprindeligt fra | University of Michigan |
| Digitaliseret | 2. jun 2008 |
| ISBN | 0801819857, 9780801819858 |
| Længde | 325 sider |
| Eksporter henvisning | BiBTeX EndNote RefMan |