Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 58
... social and religious consciousness were affected . In all these , the mystery plays reflected the impact of various changes in soci- ety and social consciousness , most conspicuously the increased need for plebeian instruction and ...
... social and religious consciousness were affected . In all these , the mystery plays reflected the impact of various changes in soci- ety and social consciousness , most conspicuously the increased need for plebeian instruction and ...
Side 99
... social structure of the medieval country town or the largely immobile peasantry of the feudal era . The growing politi- cal and intellectual importance of the propertied bourgeoisie and rising gentry and the role of the English court ...
... social structure of the medieval country town or the largely immobile peasantry of the feudal era . The growing politi- cal and intellectual importance of the propertied bourgeoisie and rising gentry and the role of the English court ...
Side 176
Studies in the Social Dimension of Dramatic Form and Function Robert Weimann. social organism itself . To make this dimension an imaginative possibility , it is clearly not sufficient to have , say , various social concepts of “ honor ...
Studies in the Social Dimension of Dramatic Form and Function Robert Weimann. social organism itself . To make this dimension an imaginative possibility , it is clearly not sufficient to have , say , various social concepts of “ honor ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York