Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 44
... roles with the audience , i.e. , " you are the real fools , while I am merely playing this role , well aware that it is a role . ” This supreme form of inversion is not developed in the Clayworth ceremonial , but the Shakespearean ...
... roles with the audience , i.e. , " you are the real fools , while I am merely playing this role , well aware that it is a role . ” This supreme form of inversion is not developed in the Clayworth ceremonial , but the Shakespearean ...
Side 85
... role and actor . The bladder filled with animal blood affixed to the body of the crucified man serves to give an impression of verisimilitude , but the element of illusion , even though it applies only to dramatic detail , is confounded ...
... role and actor . The bladder filled with animal blood affixed to the body of the crucified man serves to give an impression of verisimilitude , but the element of illusion , even though it applies only to dramatic detail , is confounded ...
Side 215
... role of popular educator : In each of which , he seems to shake a Lance , As brandish't at the eyes of Ignorance ... Role and Actor : The Language of Locality and “ Place ” The general absence of scenery on the large acting area of the ...
... role of popular educator : In each of which , he seems to shake a Lance , As brandish't at the eyes of Ignorance ... Role and Actor : The Language of Locality and “ Place ” The general absence of scenery on the large acting area of the ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York