Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 99
... result of the administrative and financial cooperation between the monarchy , the gentry and rich merchants ( such as the Greshams ) , and through the advancement at court of talented members of the middle class ( politi- cians and ...
... result of the administrative and financial cooperation between the monarchy , the gentry and rich merchants ( such as the Greshams ) , and through the advancement at court of talented members of the middle class ( politi- cians and ...
Side 157
... result of his manipulation of it , achieves an even greater distance from the al- legorical convention through his role as conférencier and chorus . In so standing between the text of the play and its theatrical realization , the Vice ...
... result of his manipulation of it , achieves an even greater distance from the al- legorical convention through his role as conférencier and chorus . In so standing between the text of the play and its theatrical realization , the Vice ...
Side 244
... result of this was a significant measure of dramatic anachronism , espe- cially as it was reflected in particular speech patterns . The clowns could , at least on one level , understand the rhetorical , stylized speech of central ...
... result of this was a significant measure of dramatic anachronism , espe- cially as it was reflected in particular speech patterns . The clowns could , at least on one level , understand the rhetorical , stylized speech of central ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York