Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side xx
... remained unex- amined or they have been biased , as in S. L. Bethell's important book , by an unveiled hostility toward realism , dismissed , in Shakespeare's case , as unfortunate " lapses into naturalism . " 10 The general critical ...
... remained unex- amined or they have been biased , as in S. L. Bethell's important book , by an unveiled hostility toward realism , dismissed , in Shakespeare's case , as unfortunate " lapses into naturalism . " 10 The general critical ...
Side 15
... remained undeveloped . Nor was the folk play greatly affected by collateral changes in literature . As in the more primi- tive ceremonials or the ritual dance , it was still the action , not the story or interpretation , which remained ...
... remained undeveloped . Nor was the folk play greatly affected by collateral changes in literature . As in the more primi- tive ceremonials or the ritual dance , it was still the action , not the story or interpretation , which remained ...
Side 101
... remained in use for such early moralities as The Castle of Perseverance or The Pride of Life ( 1400-1425 ) , and also for The Satire of the Three Estates ( 1540 ) , which was performed before the King at the Scottish court . Even when ...
... remained in use for such early moralities as The Castle of Perseverance or The Pride of Life ( 1400-1425 ) , and also for The Satire of the Three Estates ( 1540 ) , which was performed before the King at the Scottish court . Even when ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York