Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side xii
... reflected contemporary society and that the social composition and dramatic taste of its audience determined or " explained " the nature of the plays . But such a positivistic approach is too reductive to be useful . It is true that the ...
... reflected contemporary society and that the social composition and dramatic taste of its audience determined or " explained " the nature of the plays . But such a positivistic approach is too reductive to be useful . It is true that the ...
Side xviii
... reflected the attitudes of those sections of society engaged in labor and production that were in closest contact with the physical world . For this concrete reality they had a concrete idiom ? that was reflected in the gestic dimension ...
... reflected the attitudes of those sections of society engaged in labor and production that were in closest contact with the physical world . For this concrete reality they had a concrete idiom ? that was reflected in the gestic dimension ...
Side 9
... reflected important aspects of the unity of production and reception — that is , we find a positive and functional relationship between those who performed and those who attended the play . Once this unity was disrupted , the chorus was ...
... reflected important aspects of the unity of production and reception — that is , we find a positive and functional relationship between those who performed and those who attended the play . Once this unity was disrupted , the chorus was ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York