Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 92
... reference to Tutivillus as " master - lollar ” ( XXX , 213 ) does establish some relationship between the scenes written ca. 1450-60 and the contemporary social and religious movement . Consid- ering the social context of the work as a ...
... reference to Tutivillus as " master - lollar ” ( XXX , 213 ) does establish some relationship between the scenes written ca. 1450-60 and the contemporary social and religious movement . Consid- ering the social context of the work as a ...
Side 126
... reference and begins , at least , to define the background ( involving the breaking up of the barriers between the medieval estates ) against which the growing " range " in the interplay of action and verbal characteriza- tion took ...
... reference and begins , at least , to define the background ( involving the breaking up of the barriers between the medieval estates ) against which the growing " range " in the interplay of action and verbal characteriza- tion took ...
Side 174
... reference that was more complex and more vital to the experience of living and feeling within the social organism than the achievement of any other theater before or since . The integration , in the theater , of heterogeneous elements ...
... reference that was more complex and more vital to the experience of living and feeling within the social organism than the achievement of any other theater before or since . The integration , in the theater , of heterogeneous elements ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York