Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 14
... realism . " 20 But the disenchanting qual- ities of this kind of realism cannot be defined exclusively in terms of its opposition to the theater of myth and idealism . Mythical idealism does in fact confront popular realism , but the ...
... realism . " 20 But the disenchanting qual- ities of this kind of realism cannot be defined exclusively in terms of its opposition to the theater of myth and idealism . Mythical idealism does in fact confront popular realism , but the ...
Side 197
... realism " in the Renaissance theater . Interestingly enough , such realism in the linking of speech and action is not to be found in the neoclassical drama or the other forms used and developed by Renaissance scholars and learned ...
... realism " in the Renaissance theater . Interestingly enough , such realism in the linking of speech and action is not to be found in the neoclassical drama or the other forms used and developed by Renaissance scholars and learned ...
Side 249
... realism " ; the modes of ritual and the standards of mimesis were not mutually exclusive , or at least no more so than the social functions of magic and those of " science " in prefeudal societies . If this was so , some of the most ...
... realism " ; the modes of ritual and the standards of mimesis were not mutually exclusive , or at least no more so than the social functions of magic and those of " science " in prefeudal societies . If this was so , some of the most ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York