Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 183
... practical reality , and an awareness of the physical dimensions of the written and spoken word . The result was an unprecedented synthesis of old and new , of spiritual and practical , of speech and spectacle . The popular story of ...
... practical reality , and an awareness of the physical dimensions of the written and spoken word . The result was an unprecedented synthesis of old and new , of spiritual and practical , of speech and spectacle . The popular story of ...
Side 199
... practical experience of the common actor . Suiting the action to the word while at the same time exercising a judicious control over words and actions so that they might not upset the balanced unity of speech , gesture , and movement ...
... practical experience of the common actor . Suiting the action to the word while at the same time exercising a judicious control over words and actions so that they might not upset the balanced unity of speech , gesture , and movement ...
Side 206
... practical life and in the common man's concrete world of objects and ideas . Small wonder that these proverbs most often appeared in specifically dramatic contexts , such as in repartee and in the quick - fire exchange urging ac- tion ...
... practical life and in the common man's concrete world of objects and ideas . Small wonder that these proverbs most often appeared in specifically dramatic contexts , such as in repartee and in the quick - fire exchange urging ac- tion ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York