Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 82
... perspective on everyday experience is being enacted . But such a perspective must not be dismissed lightly as comic relief , for it functions as a profoundly well - integrated part of the whole play . In these lines we find a comic ...
... perspective on everyday experience is being enacted . But such a perspective must not be dismissed lightly as comic relief , for it functions as a profoundly well - integrated part of the whole play . In these lines we find a comic ...
Side 226
... perspectives are presented in such a way that neither alters or obscures the essential integrity of the other . The dual perspective that results acknowledges the sensuous attraction of a dazzling theatrical occasion , but also pene ...
... perspectives are presented in such a way that neither alters or obscures the essential integrity of the other . The dual perspective that results acknowledges the sensuous attraction of a dazzling theatrical occasion , but also pene ...
Side 242
... perspective , a perspective of comic or grotesque counter- points , but in the last resort one more true to the realities of living , then and now . Once the comic interlude and subplot are viewed as constituent parts of the play's form ...
... perspective , a perspective of comic or grotesque counter- points , but in the last resort one more true to the realities of living , then and now . Once the comic interlude and subplot are viewed as constituent parts of the play's form ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York