Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 198
... nature [ quae ( parvos et bestias ) putat esse specula naturae ] to describe " the purpose of playing . " In this ... nature ; for anything so o'erdone is from the purpose of playing , whose end , both at the first and now , was and is ...
... nature [ quae ( parvos et bestias ) putat esse specula naturae ] to describe " the purpose of playing . " In this ... nature ; for anything so o'erdone is from the purpose of playing , whose end , both at the first and now , was and is ...
Side 199
... nature . The specific advice about speaking a speech correctly gives way , however , to a generalization on the purpose of all acting , which " both at the first and now , was and is " to imitate nature . But this generalization , which ...
... nature . The specific advice about speaking a speech correctly gives way , however , to a generalization on the purpose of all acting , which " both at the first and now , was and is " to imitate nature . But this generalization , which ...
Side 216
... nature , albeit in poetically heightened terms . A platform stage capable of sustaining both illusionis- tic and nonillusionistic effects was indispensible to the interplay between realistic and stylized modes of expression , and ...
... nature , albeit in poetically heightened terms . A platform stage capable of sustaining both illusionis- tic and nonillusionistic effects was indispensible to the interplay between realistic and stylized modes of expression , and ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York