Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 137
... morality Vice , their meaning , in the context of the Vice's speech , is no longer completely detached from a larger dramatic context . Such speech patterns , in the morality , began to enter into a dynamic relationship with . dialogue ...
... morality Vice , their meaning , in the context of the Vice's speech , is no longer completely detached from a larger dramatic context . Such speech patterns , in the morality , began to enter into a dynamic relationship with . dialogue ...
Side 156
... morality form went against the grain of the homiletic and didactic heritage ; hence , it does not seem plausible that the Vice's audience contact survived , as Bernard Spivack suggests , as a " homiletic function . " 82 Such an ...
... morality form went against the grain of the homiletic and didactic heritage ; hence , it does not seem plausible that the Vice's audience contact survived , as Bernard Spivack suggests , as a " homiletic function . " 82 Such an ...
Side 176
... morality could already be ques- tioned , the social attitudes of the new era of capitalism ( among them , individualism , acquisitiveness , etc. ) were not yet their necessary alterna- tive ; in neither social morality nor dramatic ...
... morality could already be ques- tioned , the social attitudes of the new era of capitalism ( among them , individualism , acquisitiveness , etc. ) were not yet their necessary alterna- tive ; in neither social morality nor dramatic ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York