Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 5
... longer simply incarnate their experience , but had to -- for a public - re - enact and interpret it . As understanding of nature increased , and the experience of art separated from the life of myth , the “ measuring " potential of ...
... longer simply incarnate their experience , but had to -- for a public - re - enact and interpret it . As understanding of nature increased , and the experience of art separated from the life of myth , the “ measuring " potential of ...
Side 9
... longer helped to constitute . This meant that along with the increasing dramatic illusion of verisimilitude , not only did the actor - audience rela- tionship change but also the actor's relationship to the scene . No longer the creator ...
... longer helped to constitute . This meant that along with the increasing dramatic illusion of verisimilitude , not only did the actor - audience rela- tionship change but also the actor's relationship to the scene . No longer the creator ...
Side 237
... longer in touch with the audience ) . From the point of view of stagecraft Edmund fulfills a variety of functions , like the very different Duke in Measure for Measure , when the downstage position takes on original , and no longer ...
... longer in touch with the audience ) . From the point of view of stagecraft Edmund fulfills a variety of functions , like the very different Duke in Measure for Measure , when the downstage position takes on original , and no longer ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York