Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side xiv
... interpretations of Shakespeare . But actually each is contained in the other , and the interpretation as a whole can only succeed when these two aspects are inseparable : then , perhaps , our research may hope both to revitalize the ...
... interpretations of Shakespeare . But actually each is contained in the other , and the interpretation as a whole can only succeed when these two aspects are inseparable : then , perhaps , our research may hope both to revitalize the ...
Side 18
... interpretation and nonrepresentational action more mean- ingfully . This relationship , which is perhaps more profound and perva- sive than recent students of the Mummers ' Play are inclined to think , can be extremely subtle , but no ...
... interpretation and nonrepresentational action more mean- ingfully . This relationship , which is perhaps more profound and perva- sive than recent students of the Mummers ' Play are inclined to think , can be extremely subtle , but no ...
Side 38
... interpretation . The interpre- tation is a choral one in which the humanitarian or Christian spirit of the season is moralized into the meaning of the play . Since it is not realized in dramatic action , this choral interpretation seems ...
... interpretation . The interpre- tation is a choral one in which the humanitarian or Christian spirit of the season is moralized into the meaning of the play . Since it is not realized in dramatic action , this choral interpretation seems ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York