Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 24
... fact was , taken against popular modes of topsy - turvydom . Festivals such as the famous May games in Suffolk ( 1557 ) , where “ one played husbandry , and said many things against gentlemen , more than was in the book of the play ...
... fact was , taken against popular modes of topsy - turvydom . Festivals such as the famous May games in Suffolk ( 1557 ) , where “ one played husbandry , and said many things against gentlemen , more than was in the book of the play ...
Side 50
... fact that the evolutionary idea of a gradual secularization of liturgical drama has as a matter of course led scholars to underesti- mate and , in fact , neglect the secular elements in the early , precycle traditions , and it has ...
... fact that the evolutionary idea of a gradual secularization of liturgical drama has as a matter of course led scholars to underesti- mate and , in fact , neglect the secular elements in the early , precycle traditions , and it has ...
Side 280
... fact , first demonstrated to my knowledge by John Corbin ( The Elizabethan Hamlet [ London / New York , 1895 ] , esp . p . 29 ) , that “ the mad [ and potentially tragic ] scenes had a comic aspect now ignored . " This comic component ...
... fact , first demonstrated to my knowledge by John Corbin ( The Elizabethan Hamlet [ London / New York , 1895 ] , esp . p . 29 ) , that “ the mad [ and potentially tragic ] scenes had a comic aspect now ignored . " This comic component ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York