Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 3
... expression in dance , " then it obviously covered much more than can be included in the term imitatio . The elements of expression and evaluation in mimesis as opposed to mere imitatio can be emphasized without necessarily agreeing with ...
... expression in dance , " then it obviously covered much more than can be included in the term imitatio . The elements of expression and evaluation in mimesis as opposed to mere imitatio can be emphasized without necessarily agreeing with ...
Side 135
... expression of postritual sport ( nonsense , impertinency , etc. ) from the representational standards of true dialogue . Such wordplay cannot , of course , compare with the elaborate and subtly conceived wit of Lyly or the infinite ...
... expression of postritual sport ( nonsense , impertinency , etc. ) from the representational standards of true dialogue . Such wordplay cannot , of course , compare with the elaborate and subtly conceived wit of Lyly or the infinite ...
Side 224
... expression of that " balance of opposites which constitute the universe of Chris- tianity " ? To ask these questions in the present context is simply to express the need for a more complex sense of method and approach . The answer , at ...
... expression of that " balance of opposites which constitute the universe of Chris- tianity " ? To ask these questions in the present context is simply to express the need for a more complex sense of method and approach . The answer , at ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York