Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 82
... experience of the audience : 3a 3a all Olde men to me take tent and weddyth no wyff in no kynnys wyse þat is a 3onge wench be myn a - sent ... Here may all men þis proverbe trow Þat many a man doth bete þe bow Another man hath þe brydde ...
... experience of the audience : 3a 3a all Olde men to me take tent and weddyth no wyff in no kynnys wyse þat is a 3onge wench be myn a - sent ... Here may all men þis proverbe trow Þat many a man doth bete þe bow Another man hath þe brydde ...
Side 112
... experience of the real world and the theatrical and idealistic illusions of the play world . Thus , the extradramatic appeal to the experience of “ ye gode women " or the anachronistic reference to local “ placis ” reflects a realism of ...
... experience of the real world and the theatrical and idealistic illusions of the play world . Thus , the extradramatic appeal to the experience of “ ye gode women " or the anachronistic reference to local “ placis ” reflects a realism of ...
Side 176
... experience did not merely coexist : their relative strengths were so balanced and hence so " minced " that popular dramatists were capable of evaluating experience from a singularly for- tunate position . As we see from Henry IV , the ...
... experience did not merely coexist : their relative strengths were so balanced and hence so " minced " that popular dramatists were capable of evaluating experience from a singularly for- tunate position . As we see from Henry IV , the ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York