Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 99
... courts of the Tudors , their chancellors , and Cardinals . As early as 1490 the choirboys and gentlemen of the Chapel Royal were brought to court to perform plays , and by 1494 at the latest the economical first Tudor monarch had ...
... courts of the Tudors , their chancellors , and Cardinals . As early as 1490 the choirboys and gentlemen of the Chapel Royal were brought to court to perform plays , and by 1494 at the latest the economical first Tudor monarch had ...
Side 168
... Court con- ference ) that " Presbytery agreeth as well with monarchy as God and the devil . " Now Hooker , in the seventh book of his great Laws , might well deplore " those extreme conflicts of the one part with the other , which ...
... Court con- ference ) that " Presbytery agreeth as well with monarchy as God and the devil . " Now Hooker , in the seventh book of his great Laws , might well deplore " those extreme conflicts of the one part with the other , which ...
Side 172
... court art and plebeian drama were indeed remarkable . It was not unknown for the Queen to decline a play pre- pared for her in favor of a “ company of base and common fellows . " Often success on the common stages meant success at court ...
... court art and plebeian drama were indeed remarkable . It was not unknown for the Queen to decline a play pre- pared for her in favor of a “ company of base and common fellows . " Often success on the common stages meant success at court ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York