Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 10
... common . Strong elements of parody and conventions of disguise , like those found in the mimus , were the legacy of the native Roman theater from which Plautus drew in his creation of robust comic situa- tions and in his depiction of ...
... common . Strong elements of parody and conventions of disguise , like those found in the mimus , were the legacy of the native Roman theater from which Plautus drew in his creation of robust comic situa- tions and in his depiction of ...
Side 172
... common fellows . " Often success on the common stages meant success at court , where per- formances by troupes popular in the city were frequent . Costumes used for court performances were lent to the actors , who wore them as they ...
... common fellows . " Often success on the common stages meant success at court , where per- formances by troupes popular in the city were frequent . Costumes used for court performances were lent to the actors , who wore them as they ...
Side 199
... common stages " ( II , 2 , 338 ) . Whether Hamlet actually speaks for Shakespeare in his address to the players is a vexed question . Alfred Harbage has suggested that Hamlet's learned neoclassical point of view simply supports his ...
... common stages " ( II , 2 , 338 ) . Whether Hamlet actually speaks for Shakespeare in his address to the players is a vexed question . Alfred Harbage has suggested that Hamlet's learned neoclassical point of view simply supports his ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York