Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 188
... awareness of the ambiguity of “ prerogatives ” is linked to an awareness of the two valid answers to the question " who am I ? " Since the question has been asked by both the judge ( 500 ) and John Cobler ( 565 ) , both the mimetic ...
... awareness of the ambiguity of “ prerogatives ” is linked to an awareness of the two valid answers to the question " who am I ? " Since the question has been asked by both the judge ( 500 ) and John Cobler ( 565 ) , both the mimetic ...
Side 259
... awareness . Such aware- ness reflects and interconnects both the social quality of the actor's rela- tion to the real world and the imaginative and spatial dimension of the character's relation to the play world , his implicit insight ...
... awareness . Such aware- ness reflects and interconnects both the social quality of the actor's rela- tion to the real world and the imaginative and spatial dimension of the character's relation to the play world , his implicit insight ...
Side 260
... awareness , he , like the old Vice , uses two very reveal- ing figures : a proverb and a pun . The proverb , as the ... awareness : he uses this awareness to make the audience participate in the playing of the game ( in this case the ...
... awareness , he , like the old Vice , uses two very reveal- ing figures : a proverb and a pun . The proverb , as the ... awareness : he uses this awareness to make the audience participate in the playing of the game ( in this case the ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York