Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 7
... actor with his audience supports the critical utility of such an integration . But the relationship between actor and audience is not simply " con- ditioned by the physical structure of the building that contains them both " ; rather ...
... actor with his audience supports the critical utility of such an integration . But the relationship between actor and audience is not simply " con- ditioned by the physical structure of the building that contains them both " ; rather ...
Side 8
... actor had long since broken away from the native kōmos and at least temporarily achieved a specialized function in society . Yet this inevitable division did not simply disrupt the relative unity of actor and audience but rather ...
... actor had long since broken away from the native kōmos and at least temporarily achieved a specialized function in society . Yet this inevitable division did not simply disrupt the relative unity of actor and audience but rather ...
Side 215
... of scenery on the large acting area of the Elizabethan platform stage placed rigorous demands on the dramatist's use of language , the actor's use of gesture , ROLE AND ACTOR 215 Role and Actor: The Language of Locality and “Place”
... of scenery on the large acting area of the Elizabethan platform stage placed rigorous demands on the dramatist's use of language , the actor's use of gesture , ROLE AND ACTOR 215 Role and Actor: The Language of Locality and “Place”
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York
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Bibliografiske oplysninger
| Titel | Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function, Robert Weimann |
| Forfatter | Robert Weimann |
| Udgiver | Johns Hopkins University Press, 1978 |
| Oprindeligt fra | University of Michigan |
| Digitaliseret | 2. jun 2008 |
| ISBN | 0801819857, 9780801819858 |
| Længde | 325 sider |
| Eksporter henvisning | BiBTeX EndNote RefMan |