Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 60
... York , for example , was fined because he attempted to play more than two parts . " 30 Even if the communal content and function of the cycles helped to introduce and perpetuate elements of a popular tradition , the various scenes and ...
... York , for example , was fined because he attempted to play more than two parts . " 30 Even if the communal content and function of the cycles helped to introduce and perpetuate elements of a popular tradition , the various scenes and ...
Side 71
... York ( XXXI , 1-25 ) had to remind the audi- ence that his words were being spoken in earnest : " It sittis vs in sadnesse to sette all oure sawes . " Likewise , Pilate , after twenty - two lines of admoni- tion and threats , still ...
... York ( XXXI , 1-25 ) had to remind the audi- ence that his words were being spoken in earnest : " It sittis vs in sadnesse to sette all oure sawes . " Likewise , Pilate , after twenty - two lines of admoni- tion and threats , still ...
Side 277
... York : 1509-1588 ( Oxford , 1959 ) , pp . 245 , 251 ; see the same author's The English Reformation ( London , 1964 ) , pp . 9 , 36 , 16-52 , 222-35 , et passim . Dickens sums up his study of York ecclesiastical proceedings against ...
... York : 1509-1588 ( Oxford , 1959 ) , pp . 245 , 251 ; see the same author's The English Reformation ( London , 1964 ) , pp . 9 , 36 , 16-52 , 222-35 , et passim . Dickens sums up his study of York ecclesiastical proceedings against ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York