Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 24Indiana University Press, 1979 |
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Side 25
... fact that the few human figures from prehistoric times almost always have faces that are masked or deliberately distorted " ( 150 ) . That fact is not lost on Bataille who adds : “ Humanity must have been ashamed of itself at that time ...
... fact that the few human figures from prehistoric times almost always have faces that are masked or deliberately distorted " ( 150 ) . That fact is not lost on Bataille who adds : “ Humanity must have been ashamed of itself at that time ...
Side 44
... fact , the Los Angeles of Blade Runner resembles the last stage of decay of great cities outlined by Lewis Mumford , which he called “ Nekropolis " and described as mere shells of cities , without infrastructure or civic life , and ...
... fact , the Los Angeles of Blade Runner resembles the last stage of decay of great cities outlined by Lewis Mumford , which he called “ Nekropolis " and described as mere shells of cities , without infrastructure or civic life , and ...
Side 68
... fact because , as a matter of fact , there is nothing there there ? Is it another kind of " imaginary signifier " ? 8 Bourdier's pictures are deceptive and are certainly intended to be so . They are provocative , not to say shocking ...
... fact because , as a matter of fact , there is nothing there there ? Is it another kind of " imaginary signifier " ? 8 Bourdier's pictures are deceptive and are certainly intended to be so . They are provocative , not to say shocking ...
Indhold
Kneeling Angel with Mountainous Wings a k a Toward | 23 |
Because the Night A Sentimental | 38 |
Existence and Death DE | 63 |
Copyright | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera Carlist cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light living look material memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality remember Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York