Romanticism: Romanticism and the margins

appear argues attempts authority Barbauld beauty become calls character claim Coleridge Coleridge's critical Cruscan cultural death described desire discussion early effect English enthusiasm essay fact feeling female figure follow give gothic Hazlitt human Hunt idea imagination important interest John Johnson Keats Keats's kind language later Lectures less letter lines literary living London look male Mary masculine Matilda means mind narrative nature never object original Oxford passage passion period play poem poet poetic poetry political position present Priestley published question quoted radical reader reading relation response Review Robinson role Romantic Romanticism Sappho Scott seems sense sensibility sexual Shakespeare Shelley Shelley's social spirit stanza story Studies suggests taste things thought tion tradition turns understanding University Press verse vision voice vols woman women Wordsworth writing written