The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation of Madame Bovary and King LearDuke University Press, 1998 - 162 sider The King and the Adulteress brings together two essays that propose radically revisionary readings of two of the most important literary works in the Western canon, Flaubert's Madame Bovary and Shakespeare's King Lear. In offering a new understanding of a deeply sadomasochistic relationship and of an authoritarian pathology, renowned psychoanalyst Roberto Speziale-Bagliacca combines psychoanalysis with literary studies to challenge the conventional judgments of readers and the stereotyped interpretations of literary critics to these masterpieces. Approaching the characters in Bovary and Lear from both an analytic and a critical viewpoint, Speziale-Bagliacca reinterprets many issues and events that involve archetypal figures of modern literary mythology. In fact, he reverses much of the received opinion about them. Charles Bovary, for example, far from being a victim of his wife's neurotic restlessness or the epitome of a passive imbecile, is a masochist of the highest order who makes a decisive contribution to Emma's miserable end. Lear, rather than a tragedy involving the sweet Cordelia, noble Kent, and the Fool as good and loyal supporters of an old king driven to madness by his overbearing evil daughters, is precisely the opposite. The sympathetic understanding of the reader should go, Speziale-Bagliacca suggests, also to Regan, Goneril, and Edmund, while the king, whose crisis is interpreted in the light of psychoanalytic findings on depression, finally becomes the true unbeloved "bastard" of the play. Roberto Speziale-Bagliacca is a psychoanalyst and Professor of Psychotherapy at the Medical School of the University of Genoa. He is the author of On the Shoulders of Freud and many other works. |
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Side 23
... look rather odd [ Elle prit un air boudeur , chercha mille excuses , et déclara finalement que cela peut - être semblerait drôle ] . ” It might well look odd , but this is exactly what Charles wanted . “ I really don't care how it looks ...
... look rather odd [ Elle prit un air boudeur , chercha mille excuses , et déclara finalement que cela peut - être semblerait drôle ] . ” It might well look odd , but this is exactly what Charles wanted . “ I really don't care how it looks ...
Side 53
... look at what you have done to me ! But that very pourriture , that sense of putrefaction , enables us to associate ... looks at the face that Emma had loved : " he so wanted to have been this other man [ il aurait voulu être cet homme ] ...
... look at what you have done to me ! But that very pourriture , that sense of putrefaction , enables us to associate ... looks at the face that Emma had loved : " he so wanted to have been this other man [ il aurait voulu être cet homme ] ...
Side 146
... looks like Lear intended the least attractive third for Goneril . Are these adjectives used rhetorically by the king ... look upon me , sir , / And hold your hand in benediction o'er me . / You must not kneel " ( 4.6.50-52 ) . 14. See ...
... looks like Lear intended the least attractive third for Goneril . Are these adjectives used rhetorically by the king ... look upon me , sir , / And hold your hand in benediction o'er me . / You must not kneel " ( 4.6.50-52 ) . 14. See ...
Indhold
A Wholly Fictitious Story | 54 |
An Essay on King Lear | 81 |
The Barbarous Scythian | 106 |
Copyright | |
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