-

much higher for its audience and readers, · it is found upon the piano-fortes of the rich and the educated, of those who can afford to have their national zeal a little stimulated, without exciting much dread of the excesses into which it may hurry them; and of many whose nerves may be, now and then, alarmed with advantage, as much more is to be gained by their fears, than could ever be expected from their justice.

Having thus adverted to the principal objection, which has been hitherto made to the poetical part of this work, allow me to add a few words in defence of my ingenious coadjutor, Sir John Stevenson, who has been accused of having spoiled the simplicity of the airs by the chromatic richness of his symphonies, and the elaborate variety of his harmonies. We might cite the example of the admirable Haydn, who has sported through all the mazes of musical science, in his arrangement of the simplest Scottish melodies; but it appears to me, that Sir John Stevenson has brought to this task an innate and national feeling, which it would be vain to expect from a foreigner, however tasteful or judicious. Through many of his own compositions we trace a vein of Irish sentiment, which points him out as peculiarly suited to catch the spirit of his country's music; and, far from agreeing with those fastidious critics who think that his symphonies have nothing kindred with the airs which they introduce, I would say that, on the contrary, they resemble, in general, those illuminated initials of old manuscripts, which are of the same character with the writing which follows, though more highly colored and more curiously ornamented.

In those airs, which he has arranged for voices, his skill has particularly distinguished itself, and, though it cannot be denied that a single melody most naturally expresses the language of feeling and passion, yet often, when a favorite strain has been dismissed, as having lost its charm of novelty for the ear, it returns, in a harmonized shape, with new claims on our interest and attention; and to those who study the delicate artifices of composition, the construction of the inner parts of these pieces must afford, I think, considerable satisfaction. Every voice has an air to itself, a flowing succession of notes, which might be heard with pleasure, independently of the rest; -so artfully has the harmonist (if I may thus express it) gavelled the melody, distributing an equal portion of its sweetness to every part. If your Ladyship's love of Music were not well known to me, I should not have hazarded so long a letter upon the subject; but as, probably, I may have presumed too far upon your partiality, the best revenge you now can take is to write me just as long a letter upon Painting; and I promise to attend to your theory of the art, with a pleasure only surpassed by that which I have so often derived from your practice of it. May the mind which such talents adorn, continue calm as it is bright, and happy as it is virtuous !

Believe me, your Ladyship's

Grateful Friend and Servant,
THOMAS MOORE.

ADVERTISEMENT TO FOURTH AND FIFTH NUMBERS. 167

ADVERTISEMENT TO THE FOURTH NUMBER.

THIS Number of the Melodies ought to have appeared much earlier; and the writer of the words is ashamed to confess, that the delay of its publication must be imputed chiefly, if not entirely, to him. He finds it necessary to make this avowal, not only for the purpose of removing all blame from the Publisher, but in consequence of a rumor, which has been circulated industriously in Dublin, that the Irish Government had interfered to prevent the continuance of the Work.

This would be, indeed, a revival of Henry the Eighth's enactments against Minstrels, and it is flattering to find that so much importance is attached to our compilation, even by such persons as the inventors of the report. Bishop Lowth, it is true, was of opinion, that one song, like the Hymn to Harmodius, would have done more towards rousing the spirit of the Romans, than all the Philippics of Cicero. But we live in wiser and less musical times; ballads have long lost their revolutionary powers, and we question if even a "Lillibullero "would produce any very serious consequences at present. It is needless, therefore, to add, that there is no truth in the report; and we trust that whatever belief it obtained was founded more upon the character of the Government than of the Work.

The Airs of the last Number, though full of originality and beauty, were, in general, perhaps, too curiously selected to become all at once as popular as, we think, they deserve to be. The public are apt to be reserved towards new acquaintances in music, and this, perhaps, is one of the reasons why many modern composers introduce none but old friends to their notice. It is, indeed, natural that persons, who love music only by association, should be somewhat slow in feeling the charms of a new and strange melody; while those, on the other hand, who have a quick sensibility for this enchanting art, will as naturally seek and enjoy novelty, because in every variety of strain they find a fresh combination of ideas; and the sound has scarcely reached the ear, before the heart has as rapidly rendered it into imagery and sentiment. After all, however, it cannot be denied that the most popular of our National Airs are also the most beautiful; and it has been our wish, in the present Number, to select from those Melodies only which have long been listened to and admired. The least known in the collection is the Air of "Love's Young Dream; " but it will be found, I think, one of those easy and artless strangers whose merit the heart instantly acknowledges.

BURY STREET, ST. JAMES's, November, 1811.

T. M.

ADVERTISEMENT TO THE FIFTH NUMBER.

IT is but fair to those, who take an interest in this Work, to state that it is now very near its termination, and that the Sixth Number, which shall speedily appear, will, most probably, be the last of the series. Three volumes will then have been tompleted, according to the original plan, and the Proprietors desire me to say that a List of Subscribers will be published with the concluding Number.

It is not so much, I must add, from a want of materials, and still less from any abatement of zeal or industry, that we have adopted the resolution of bringing our task to a close; but we feel so proud, still more for our country's sake than our own, of the general interest which this purely Irish Work has excited, and so anxious lest a particle of that interest should be lost by too long a protraction of its existence, that we think it wiser to take away the cup from the lip, while its flavor is yet, we trust, fresh and sweet, than to risk any further trial of the charm, or give so much as not to leave some wish for more.

168 ADVERTISEMENT TO FIFTH AND SIXTH NUMBers.

In speaking thus, I allude entirely to the Airs, which are, of course, the main attraction of these Volumes; and though we have still a great many popular and delightful Melodies to produce, it cannot be denied that we should soon experience considerable difficulty in equalling the richness and novelty of the earlier numbers, for which, as we had the choice of all before us, we naturally selected only the most rare and beautiful. The Poetry, too, would be sure to sympathize with the decline of the Music; and, however feebly my words have kept pace with the excellence of the Airs, they would follow their falling off, I fear, with wonderful alacrity. Both pride and prudence, therefore, counsel us to come to a close, while yet our Work is, we believe, flourishing and attractive, and thus, in the imperial attitude, "stantes mori," before we incur the charge either of altering for the worse, or what is equally unpardonable, continuing too long the same.

We beg to say, however, that it is only in the event of our failing to find Airs as good as most of those we have given, that we mean thus to anticipate the natural period of dissolution (like those Indians who when their relatives become worn out, put them to death); and they who are desirous of retarding this Euthanasia of the Irish Melodies, cannot better effect their wish than by contributing to our collection, not what are called curious Airs, for we have abundance of such, and they are, in general, only curious, - but any real sweet and expressive Songs of our Country, which either chance or research may have brought into their hands. MAYFIELD COTTAGE, Ashbourne, December, 1813.

T. M.

ADVERTISEMENT TO THE SIXTH NUMBER.

IN presenting this Sixth Number to the Public as our last, and bidding adieu to the Irish Harp for ever, we shall not answer very confidently for the strength of our resolution, nor feel quite sure that it may not turn out to be one of those eternal farewells which a lover takes occasionally of his mistress, merely to enhance, perhaps, the pleasure of their next meeting. Our only motive, indeed, for discontinuing the Work was a fear that our treasures were nearly exhausted, and a natural unwillingness to descend to the gathering of mere seed-pearl, after the really precious gems it has been our lot to string together. The announcement, however, of this intention, in our Fifth Number, has excited a degree of anxiety in the lovers of Irish Music, not only pleasant and flattering, but highly useful to us; for the various contributions we have received in consequence, have enriched our collection with so many choice and beautiful Airs, that should we adhere to our present resolution of publishing no more, it would certainly furnish an instance of forbearance unexampled in the history of poets and musicians. To one Gentleman in particular, who has been for many years resident in England, but who has not forgot, among his various pursuits, either the language or the melodies of his native country, we beg to offer our best thanks for the many interesting communications with which he has favored us. We trust that neither he nor any other of our kind friends will relax in those efforts by which we have been so considerably assisted; for, though our work must now be looked upon as defunct, yet -as Réaumur found out the art of making the cicada sing after it was dead—it is just possible that we may, some time or other, try a similar experiment upon the Irish Melodies. T. M.

MAYFIELD, Ashbourne, March, 1815.

1 Among these is Savourna Deelish, which I have been hitherto only withheld from selecting by the diffidence I feel in treading upon the same ground with Mr. Campbell, whose beautiful words to this fine Air have taken too strong possession of all ears and hearts, for me to think of following in his footsteps with any success. I suppose, however, as a matter of duty, I must attempt the air for our next Number.

ADVERTISEMENT TO THE SEVENTH NUMBER.

HAD I consulted only my own judgment, this Work would not have extended beyond the Six Numbers already published; which contain the flower, perhaps, of our national melodies, and have now attained a rank in public favor, of which I would not willingly risk the forfeiture, by degenerating, in any way, from those merits that were its source. Whatever treasures of our music were still in reserve, (and it will be seen, I trust, that they are numerous and valuable,) I would gladly have left to future poets to glean, and, with the ritual words "tibi trado," would have delivered up the torch into other hands, before it had lost much of its light in my own. But the call for a continuance of the work has been, as I understand from the Publisher, so general, and we have received so many contributions of old and beautiful airs,1 the suppression of which, for the enhancement of those we have published, would too much resemble the policy of the Dutch in burning their spices, - that I have been persuaded, though not without much diffidence in my success, to commence a new series of the Irish Melodies.

T. M.

DEDICATION

ΤΟ

THE MARCHIONESS OF HEADFORT,

PREFIXED TO

THE TENTH NUMBER.

IT is with a pleasure, not unmixed with melancholy, that I dedicate the last Number of the Irish Melodies to your Ladyship; nor can I have any doubt that the feelings with which you receive the tribute will be of the same mingled and saddened tone. To you, — who, though but little beyond the season of childhood, when the earlier numbers of this work appeared, lent the aid of your beautiful voice, and, even then, exquisite feeling for music, to the happy circle who met, to sing them together, under your father's roof, the gratification, whatever it may be, which this humble offering brings, cannot be otherwise than darkened by the mournful reflection, how many of the voices, which then joined with ours, are now silent in death!

I am not without hope that, as far as regards the grace and spirit of the Melodies, you will find this closing portion of the work not unworthy of what has preceded it. The Sixteen Airs, of which the Number and the Supplement consists, have been selected from the immense mass of Irish music, which has been for years past accumulating in my hands; and it was from a desire to include all that appeared most worthy of preservation, that the four supplementary songs which follow this Tenth Number have been added.

Trusting that I may yet again, in remembrance of old times, hear our voices together in some of the harmonized airs of this Volume, I have the honor to subscribe myself, Your Ladyship's faithful Friend and Servant,

SLOPERTON COTTAGE, May, 1834.

THOMAS Moore.

1 One Gentleman, in particular, whose name I shall feel happy in being allowed to mention, has not only sent us nearly forty ancient airs, but has communicated many curious fragments of Irish poetry, and some interesting traditions current in the country where he resides, illustrated by sketches of the romantic scenery to which they refer; all of which, though too late for the present Number, will be of infinite service to us in the prosecution of our task.

IRISH MELODIES.