Roman Literature in Relation to Roman ArtMacmillan and Company, 1888 - 315 sider |
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Side 48
... remarkable for the epithets which they thus apply . But a scarch for the epithets used in Horace or the other lyrical writers of Rome with the words vultus or frons will shew how closely they connected personal appearance with character ...
... remarkable for the epithets which they thus apply . But a scarch for the epithets used in Horace or the other lyrical writers of Rome with the words vultus or frons will shew how closely they connected personal appearance with character ...
Side 80
... supposed to be an incipient attempt to write a Fasti like that of Ovid . Of these the first , second , eighth , and ninth poems are the most remarkable : Hoc , quodcumque vides , hospes , qua maxima Roma 80 ROMAN LITERATURE AND ART .
... supposed to be an incipient attempt to write a Fasti like that of Ovid . Of these the first , second , eighth , and ninth poems are the most remarkable : Hoc , quodcumque vides , hospes , qua maxima Roma 80 ROMAN LITERATURE AND ART .
Side 84
... remarkable words : τί δ ' ἂν κάλλιον θέαμα τούτου φανείη ; -vi . 53.2 1 The spoils of war are believed to be the best of all things . 2 What sight could be finer than this ! But the historian does not of course add the philosophical 84 ...
... remarkable words : τί δ ' ἂν κάλλιον θέαμα τούτου φανείη ; -vi . 53.2 1 The spoils of war are believed to be the best of all things . 2 What sight could be finer than this ! But the historian does not of course add the philosophical 84 ...
Side 154
... remarkable features in the Roman mind , finally developed by Justinian in his Digest . The thoughts in Roman poetry are too much con- fined by the metre , just as in sculpture the ideas suggested are small and affect details rather than ...
... remarkable features in the Roman mind , finally developed by Justinian in his Digest . The thoughts in Roman poetry are too much con- fined by the metre , just as in sculpture the ideas suggested are small and affect details rather than ...
Side 201
... remarkable for the union of a broad Tuscan cella with a narrow Greek portico ; 1 and the Tuscan double - chambered plan may be also observed in the Temples of Jupiter and Juno , in the Porticus Octaviæ , as given in the Capitoline plan ...
... remarkable for the union of a broad Tuscan cella with a narrow Greek portico ; 1 and the Tuscan double - chambered plan may be also observed in the Temples of Jupiter and Juno , in the Porticus Octaviæ , as given in the Capitoline plan ...
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Æneas Æneid amphitheatres ancient appearance Aqua aqueducts arcades architects atque atrium Augustus Basilica beauty bricks buildings built busts Cæsar capitals Capitoline Catullus chap character Cicero Circus Cloaca Cloaca Maxima Coliseum colonnades colossal columns construction Corinthian decorative Diocletian Domitian domus Doric emperors Eneid Ennius entablature ESSAY expression exterior Farnese Hercules feet Forum Greek Hadrian Hercules heroes Hist Homer Horace houses imitation imperial influence insula Ionic Ionic order Juvenal Latin lines Lucan Lysippus marble Nævius natural Nero Nibby nunc opus ornamental Ovid passages placed Pliny poem poetry Pompeii Porta portico portrait Preller probably quae quam quod Roma Roman architecture Roman art Roman literature Roman poets Rome roof says Scipio sculpture seen shew shewn side Statius statues stone style temple theatres therma tibi tomb Trajan triumphal arches tufa Tuscan vaulted viii Virgil Vitruvius walls δὲ ἐν καὶ τε τὸ τῶν
Populære passager
Side 177 - She was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition, sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and way-lay.
Side 176 - From her unhasty beast she did alight ; And on the grass her dainty limbs did lay In secret shadow, far from all men's sight From her fair head her fillet she undight, And laid her stole aside ; her...
Side 7 - Sed ego sic statuo, nihil esse in ullo genere tarn pulchrum, quo non pulchrius id sit unde illud ut ex ore aliquo quasi imago exprimatur; quod neque oculis neque auribus neque ullo sensu percipi potest, cogitatione tantum et mente complectimur.
Side 81 - Euandri profugae concubuere boves. fictilibus crevere deis haec aurea templa, nec fuit opprobrio facta sine arte casa ; Tarpeiusque pater nuda de rupe tonabat, et Tiberis nostris advena bubus erat. qua gradibus domus ista Remi se sustulit, olim unus erat fratrum maxima regna focus.
Side 176 - And layd her stole aside : her angels face, As the great eye of Heaven, shyned bright, And made a sunshine in the shady place ; Did never mortal! eye behold such heavenly grace.
Side 91 - En Priamus ! Sunt hic etiam sua praemia laudi ; sunt lacrimae rerum et mentem mortalia tangunt. Solve metus ; feret haec aliquam tibi fama salutem.
Side 23 - Praecipue cum se numeris commendat et arte : Discit enim citius meminitque libentius illud Quod quis deridet, quam quod probat et veneratur.
Side 146 - Upon the whole, it seems to me, that the object and intention of all the Arts is to supply the natural imperfection of things, and often to gratify the mind by realising and embodying what never existed but in the imagination.
Side 27 - Hic vir, hic est, tibi quem promitti saepius audis, 'Augustus Caesar, Divi genus, aurea condet 'Saecula qui rursus Latio, regnata per arva