Roman Literature in Relation to Roman ArtMacmillan and Company, 1888 - 315 sider |
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Side 15
... So the Epic and Lyric poets , Horace and Virgil , have allowed their work to be largely coloured by a wish to please great men . This can of course be 727 ROMAN CANEPHORUS . traced throughout their productions and need INTRODUCTION . 15.
... So the Epic and Lyric poets , Horace and Virgil , have allowed their work to be largely coloured by a wish to please great men . This can of course be 727 ROMAN CANEPHORUS . traced throughout their productions and need INTRODUCTION . 15.
Side 23
... course a strong influence at Rome . Although Horace was well aware of the perils to which art was exposed by the world - wide dominion of Rome , yet he could not in his Odes refrain from encouraging the national pride of empire ...
... course a strong influence at Rome . Although Horace was well aware of the perils to which art was exposed by the world - wide dominion of Rome , yet he could not in his Odes refrain from encouraging the national pride of empire ...
Side 25
... course the main subject of the Æneid . The nation wearing the toga are the masters of the world , and the house of Æneas is destined by the oracle to rule in all lands . The liberal and cosmopolitan feelings produced by world - wide ...
... course the main subject of the Æneid . The nation wearing the toga are the masters of the world , and the house of Æneas is destined by the oracle to rule in all lands . The liberal and cosmopolitan feelings produced by world - wide ...
Side 48
... course frequently noticed by all poets ancient and modern , and it is difficult to say whether Roman poets are peculiarly remarkable for the epithets which they thus apply . But a scarch for the epithets used in Horace or the other ...
... course frequently noticed by all poets ancient and modern , and it is difficult to say whether Roman poets are peculiarly remarkable for the epithets which they thus apply . But a scarch for the epithets used in Horace or the other ...
Side 84
... κάλλιον θέαμα τούτου φανείη ; -vi . 53.2 1 The spoils of war are believed to be the best of all things . 2 What sight could be finer than this ! But the historian does not of course add the philosophical 84 ROMAN LITERATURE AND ART .
... κάλλιον θέαμα τούτου φανείη ; -vi . 53.2 1 The spoils of war are believed to be the best of all things . 2 What sight could be finer than this ! But the historian does not of course add the philosophical 84 ROMAN LITERATURE AND ART .
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Æneas Æneid amphitheatres ancient appearance Aqua aqueducts arcades architects atque atrium Augustus Basilica beauty bricks buildings built busts Cæsar capitals Capitoline Catullus chap character Cicero Circus Cloaca Cloaca Maxima Coliseum colonnades colossal columns construction Corinthian decorative Diocletian Domitian domus Doric emperors Eneid Ennius entablature ESSAY expression exterior Farnese Hercules feet Forum Greek Hadrian Hercules heroes Hist Homer Horace houses imitation imperial influence insula Ionic Ionic order Juvenal Latin lines Lucan Lysippus marble Nævius natural Nero Nibby nunc opus ornamental Ovid passages placed Pliny poem poetry Pompeii Porta portico portrait Preller probably quae quam quod Roma Roman architecture Roman art Roman literature Roman poets Rome roof says Scipio sculpture seen shew shewn side Statius statues stone style temple theatres therma tibi tomb Trajan triumphal arches tufa Tuscan vaulted viii Virgil Vitruvius walls δὲ ἐν καὶ τε τὸ τῶν
Populære passager
Side 177 - She was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition, sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and way-lay.
Side 176 - From her unhasty beast she did alight ; And on the grass her dainty limbs did lay In secret shadow, far from all men's sight From her fair head her fillet she undight, And laid her stole aside ; her...
Side 7 - Sed ego sic statuo, nihil esse in ullo genere tarn pulchrum, quo non pulchrius id sit unde illud ut ex ore aliquo quasi imago exprimatur; quod neque oculis neque auribus neque ullo sensu percipi potest, cogitatione tantum et mente complectimur.
Side 81 - Euandri profugae concubuere boves. fictilibus crevere deis haec aurea templa, nec fuit opprobrio facta sine arte casa ; Tarpeiusque pater nuda de rupe tonabat, et Tiberis nostris advena bubus erat. qua gradibus domus ista Remi se sustulit, olim unus erat fratrum maxima regna focus.
Side 176 - And layd her stole aside : her angels face, As the great eye of Heaven, shyned bright, And made a sunshine in the shady place ; Did never mortal! eye behold such heavenly grace.
Side 91 - En Priamus ! Sunt hic etiam sua praemia laudi ; sunt lacrimae rerum et mentem mortalia tangunt. Solve metus ; feret haec aliquam tibi fama salutem.
Side 23 - Praecipue cum se numeris commendat et arte : Discit enim citius meminitque libentius illud Quod quis deridet, quam quod probat et veneratur.
Side 146 - Upon the whole, it seems to me, that the object and intention of all the Arts is to supply the natural imperfection of things, and often to gratify the mind by realising and embodying what never existed but in the imagination.
Side 27 - Hic vir, hic est, tibi quem promitti saepius audis, 'Augustus Caesar, Divi genus, aurea condet 'Saecula qui rursus Latio, regnata per arva