Horace's Well-trained Reader: Toward a Methodology of Audience Participation in the OdesLang, 2002 - 260 sider Horace's Well-Trained Reader explores the dynamic between Horace's poetic personae in the first three books of the Odes and the various audiences of those poems. Each chapter studies a selection of poems that are especially dense in programmatic content: the opening series and the closing pair of each book. The personae of these texts show an awareness of both internal and external audiences (for example, addressee and reader respectively). These lyric speakers and their expectations of us develop in a linear fashion over the three books. We are gradually trained to be fully involved audiences and to acknowledge that Horace's ego is an ethical leader at Rome by virtue of being a lyric poet who looks to both archaic and Hellenistic Greek models. Contents: The dynamic between Horace's poetic personae in selected Odes and the various audiences of those poems - Horace's lyricist as an ethical leader at Rome. |
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Side 235
... Time and the Erotic in Horace's Odes . Durham , N.C .: Duke University Press , 1994 . Anderson , William S. " Studies in Book I of Juvenal . " YCS 15 ( 1957 ) 33-90 . " Two Odes of Horace's Book Two . " CSCA 1 ( 1968 ) 35-61 ...
... Time and the Erotic in Horace's Odes . Durham , N.C .: Duke University Press , 1994 . Anderson , William S. " Studies in Book I of Juvenal . " YCS 15 ( 1957 ) 33-90 . " Two Odes of Horace's Book Two . " CSCA 1 ( 1968 ) 35-61 ...
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Horace's Well-trained Reader: Toward a Methodology of Audience Participation ... Elizabeth H. Sutherland Ingen forhåndsvisning - 2002 |
Almindelige termer og sætninger
addressee Alcaeus Alcaic allows Ancona Apollo argues audience's Augustan Augustus Augustus's Bacchus Band Band Band Barine Barine's become beginning behavior Callimachean carpe diem claim Cleopatra close closure Commager concerned context critical Davis divine dynamic elements emotional encounter entirely erotic ethical external audience final stanza foil fourth stanza Fraenkel Geloni genre Gigantomachy gives Horace Horace's ego Horatian identify imagery internal involvement Licymnia lines literary Lowrie lyric lyricist Maecenas Maecenas's military mise en abyme Monaeses monumentum Muses neque Nisbet-Hubbard 1978 nunc ode's Oliensis opening stanza Ovids pair philyra Pindaric poem poet poet's poetic poetry political Pollio Pöschl position potens present priamel puer Pyrrha reading Regulus Regulus's relationship represents response rhetorical Roman Odes Rome Rome's Santirocco 1986 scene scholars second stanza semper setting shift Soracte speaker suggests symposium sympotic Syndikus temporal thematic themes tone transition University Press Valgius virtus visual voice Xanthias