The Yale Literary Magazine, Bind 95,Oplag 2Yale Literary Society, 1931 |
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Side 6
... living art is a study in dogma . For the purposes of criticism you must accept this critic's conception of sincerity , and that somewhat vague accompanying term " strength . ” The works of Mr. Richard Childs have strength . Two water ...
... living art is a study in dogma . For the purposes of criticism you must accept this critic's conception of sincerity , and that somewhat vague accompanying term " strength . ” The works of Mr. Richard Childs have strength . Two water ...
Side 23
... living man of letters has always been his first interest . It is significant that one of his earlier courses was on Chaucer and Browning , who are certainly two of the more robust and vivid personalities . You need only attend one of ...
... living man of letters has always been his first interest . It is significant that one of his earlier courses was on Chaucer and Browning , who are certainly two of the more robust and vivid personalities . You need only attend one of ...
Side 42
... living enthusiasms . His aestheticism is a psychological rather than an artistic phenomenon , allied , as he himself explains , with his political royalism and religious Anglo - Catholicism . By burying his mind in endless erudition ...
... living enthusiasms . His aestheticism is a psychological rather than an artistic phenomenon , allied , as he himself explains , with his political royalism and religious Anglo - Catholicism . By burying his mind in endless erudition ...
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1056 CHAPEL STREET 1932 Water Color aestheticism American artist asked Auslander AVENUE New York BROADWAY New Haven Bryant's charm Christmas Gifts clothes Conn course criticism CUSTOM TAILORING dinner dogma DOUGLAS MCKEE emotion England English escape EUGENE KINGMAN excellence exile FITZHUGH SCOTT Galsworthy glad Good-bye Hello Henry James Henry Miller Illustrated interest John Galsworthy knew landscapes LANGROCK lectures light literary bias literature looked Maid in Waiting Manor MAYNARD MACK medium Miss Porter Miss Quintard modern never personality plays poem poet poetic poetry PORTRAIT Pruden rode Romanticism scene significance sincerity stop story STREET New Haven student suddenly T. S. Eliot Telephone thank things Thornton Wilder thought undergraduate Vassos verse VINTON LINDLEY vital volume Walpole wanted Waste Land water-color waved her crop William Lyon Phelps wrong YALE COLLEGE Yale University York City York Stock Exchange YORK STREET young instructor