The Yale Literary Magazine, Bind 95,Oplag 2Yale Literary Society, 1931 |
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Side 6
... effects which the lithographic crayon makes so tempting . Mr. Kingman excels in oil painting . One feels in him a rare command of his art and asks only a continued emphasis upon that strength which is so successful in the scene of the ...
... effects which the lithographic crayon makes so tempting . Mr. Kingman excels in oil painting . One feels in him a rare command of his art and asks only a continued emphasis upon that strength which is so successful in the scene of the ...
Side 7
... effect and again are mature in the restrained use of the medium , never once losing the essential water - color quality of empha- sizing the material upon which the colors are placed . Best of all , perhaps , are his oils . The ...
... effect and again are mature in the restrained use of the medium , never once losing the essential water - color quality of empha- sizing the material upon which the colors are placed . Best of all , perhaps , are his oils . The ...
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Almindelige termer og sætninger
1056 CHAPEL STREET 1932 Water Color aestheticism American artist asked Auslander BROADWAY New Haven Bryant's charm Christmas Gifts clothes Conn course criticism CUSTOM TAILORING dinner dogma DOUGLAS MCKEE emotion England English escape EUGENE KINGMAN excellence exile FITZHUGH SCOTT Galsworthy glad Good-bye Hello Henry James Henry Miller Illustrated interest John Galsworthy knew landscapes LANGROCK lectures literary bias literature looked Maid in Waiting Manor MAYNARD MACK medium Miss Porter Miss Quintard modern never personality plays poem poet poetic poetry PORTRAIT Pruden rode Romanticism scene significance sincerity stop story STREET New Haven student suddenly T. S. Eliot Telephone thank things Thornton Wilder thought undergraduate Vassos verse VINTON LINDLEY vital volume Walpole wanted Waste Land water-color waved her crop William Lyon Phelps wrong YALE COLLEGE Yale University York City York Stock Exchange YORK STREET young instructor وو