Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 2Indiana University Press, 1994 |
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Side 85
... sense impressions he describes are clearly the equiv- alent of distraction — an experience of sensory stimulation as ... senses and enabling the subject to parry the shocks of a new , and often antagonistic , reality.11 While Kracauer ...
... sense impressions he describes are clearly the equiv- alent of distraction — an experience of sensory stimulation as ... senses and enabling the subject to parry the shocks of a new , and often antagonistic , reality.11 While Kracauer ...
Side 112
... sense of identity must have been interwoven , to some extent , with the costumes she donned at social functions at college and at work . Autobio- graphical denial is commonplace amongst artists and writers ; however , denial simply ...
... sense of identity must have been interwoven , to some extent , with the costumes she donned at social functions at college and at work . Autobio- graphical denial is commonplace amongst artists and writers ; however , denial simply ...
Side 118
... sense of inventing forms and worlds that no longer owe anything to the real , and in the sense of a photographer's individual expression . Still , the fact remains that in a great majority of cases , photographs continue to draw us ...
... sense of inventing forms and worlds that no longer owe anything to the real , and in the sense of a photographer's individual expression . Still , the fact remains that in a great majority of cases , photographs continue to draw us ...
Indhold
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York