Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 2Indiana University Press, 1994 |
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Side 63
... Human Facial Expression represents his attempt to accomplish that task . Duchenne understood the alliance of aesthetics and science to be tremendously difficult . In the foreword to one of his pho- tographic albums , he writes that no ...
... Human Facial Expression represents his attempt to accomplish that task . Duchenne understood the alliance of aesthetics and science to be tremendously difficult . In the foreword to one of his pho- tographic albums , he writes that no ...
Side 65
... human face " ( 1-2 ) . Duchenne charts this correctness through both of his two main sections : a " scientific section " devoted to photographs and written text describing individual. Figure 5. " The Old Man . " From G.-B. Duchenne , The ...
... human face " ( 1-2 ) . Duchenne charts this correctness through both of his two main sections : a " scientific section " devoted to photographs and written text describing individual. Figure 5. " The Old Man . " From G.-B. Duchenne , The ...
Side 84
... human subject , rather than the mechanics of light and optical transmission . It is a moment when the visible escapes from the timeless order of the camera obscura and becomes lodged in another apparatus , within the unstable physiology ...
... human subject , rather than the mechanics of light and optical transmission . It is a moment when the visible escapes from the timeless order of the camera obscura and becomes lodged in another apparatus , within the unstable physiology ...
Indhold
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York