Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 2Indiana University Press, 1994 |
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Side 64
... faces of Duchenne's nameless patients : four women , two young girls , an alcoholic man , and a ubiquitous " old toothless man , with a thin face , whose features , without being absolutely ugly , approached ordinary triviality and ...
... faces of Duchenne's nameless patients : four women , two young girls , an alcoholic man , and a ubiquitous " old toothless man , with a thin face , whose features , without being absolutely ugly , approached ordinary triviality and ...
Side 145
... Face and Race The first definition of " face " in Webster's unabridged dictio- nary is “ the surface of a thing , " " the side which presents itself to the view of a spectator . " There is nothing especially human , or even animate ...
... Face and Race The first definition of " face " in Webster's unabridged dictio- nary is “ the surface of a thing , " " the side which presents itself to the view of a spectator . " There is nothing especially human , or even animate ...
Side 146
... face from the body : " The face is a surface . . . the face is a map . the face is pro- duced only when the head ceases to be coded by the body , when it ceases to have a multidimensional , polyvocal corporeal code , when the body has ...
... face from the body : " The face is a surface . . . the face is a map . the face is pro- duced only when the head ceases to be coded by the body , when it ceases to have a multidimensional , polyvocal corporeal code , when the body has ...
Indhold
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York