Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 2Indiana University Press, 1994 |
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Side 131
... cinema , including Hollywood movies . As Moffatt explains : " I learned to make films by watching them . A childhood spent glued to the television , then a diet of very commercial cinema through to avant - garde films . " Mary Poppins ...
... cinema , including Hollywood movies . As Moffatt explains : " I learned to make films by watching them . A childhood spent glued to the television , then a diet of very commercial cinema through to avant - garde films . " Mary Poppins ...
Side 143
... cinema is thought . " The great directors of the cinema may be compared . . . with thinkers " ( Preface to the French Edition , Cinema 1 ) . For Eisenstein , " Montage thinking is inseparable from the general content of thinking as a ...
... cinema is thought . " The great directors of the cinema may be compared . . . with thinkers " ( Preface to the French Edition , Cinema 1 ) . For Eisenstein , " Montage thinking is inseparable from the general content of thinking as a ...
Side 145
... cinema . Although adding time and movement to the image , this way of thinking cinema is closer to photography than theories reliant on narrative . What Deleuze and Guattari call “ signifiance ” is " never with- out a white wall upon ...
... cinema . Although adding time and movement to the image , this way of thinking cinema is closer to photography than theories reliant on narrative . What Deleuze and Guattari call “ signifiance ” is " never with- out a white wall upon ...
Indhold
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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