Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 2Indiana University Press, 1994 |
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Side 57
... century medical photographers articu- lated the concerns Ollerenshaw would raise a century later . Hardly worried about the excess inherent in the voracious cam- era , people tended to believe something quite different — that ...
... century medical photographers articu- lated the concerns Ollerenshaw would raise a century later . Hardly worried about the excess inherent in the voracious cam- era , people tended to believe something quite different — that ...
Side 82
... century and the German bourgeoisie in the nineteenth century , for example , had been cut off from acting in or influencing the world and thus , accord- ing to Lepenies , they articulated their powerlessness in literary forms of ...
... century and the German bourgeoisie in the nineteenth century , for example , had been cut off from acting in or influencing the world and thus , accord- ing to Lepenies , they articulated their powerlessness in literary forms of ...
Side 87
... century experience , is refracted through the lens of sexual difference . It is not insignificant , for example , that Kracauer describes boredom in relation to Taylorized labor and rationalized leisure and chooses a twentieth - century ...
... century experience , is refracted through the lens of sexual difference . It is not insignificant , for example , that Kracauer describes boredom in relation to Taylorized labor and rationalized leisure and chooses a twentieth - century ...
Indhold
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York