Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 2Indiana University Press, 1994 |
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Side 13
... body politic of which such men were also the center . The working classes were identified as hands in terms of production and below the waist in relation to morality . Bestial and uncontrollably sexual , they were also identified with ...
... body politic of which such men were also the center . The working classes were identified as hands in terms of production and below the waist in relation to morality . Bestial and uncontrollably sexual , they were also identified with ...
Side 33
... body in relation to the photographer's , and hence , the viewer's , gaze . Photography does not record a body in representation but produces a body for representation . — Representatives of the mine owners opposed any further cur ...
... body in relation to the photographer's , and hence , the viewer's , gaze . Photography does not record a body in representation but produces a body for representation . — Representatives of the mine owners opposed any further cur ...
Side 165
... body with its landscape , the eye - body , period what Merleau - Ponty talked about in his last writings and what Deleuze , inspired by Bergson , invokes in his books on cinema : the mind's eye ( l'oeil de l'esprit ) sliding into its ...
... body with its landscape , the eye - body , period what Merleau - Ponty talked about in his last writings and what Deleuze , inspired by Bergson , invokes in his books on cinema : the mind's eye ( l'oeil de l'esprit ) sliding into its ...
Indhold
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York