Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 2Indiana University Press, 1994 |
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Side 151
... Daughters is the inverse of Night Cries . Night Cries is haunted by death , while Daughters is haunted by birth . For Night Cries , history has become a nightmare of entrapment ; for Daugh- ters , the past enlightens the present . In ...
... Daughters is the inverse of Night Cries . Night Cries is haunted by death , while Daughters is haunted by birth . For Night Cries , history has become a nightmare of entrapment ; for Daugh- ters , the past enlightens the present . In ...
Side 154
... Daughters of the Dust . " Although the family separates , four generations of women remain together . Yellow Mary becomes active in anti - lynching . The spirit's voice - over concludes this extraordinary film : “ My mommy and daddy ...
... Daughters of the Dust . " Although the family separates , four generations of women remain together . Yellow Mary becomes active in anti - lynching . The spirit's voice - over concludes this extraordinary film : “ My mommy and daddy ...
Side 155
... Daughters de - centers the usual subject and that includes white women " ( DBh 40 ) . hooks also suggests that " people will place Daughters in a world not only of black independent filmmakers , but also in the larger world of ...
... Daughters de - centers the usual subject and that includes white women " ( DBh 40 ) . hooks also suggests that " people will place Daughters in a world not only of black independent filmmakers , but also in the larger world of ...
Indhold
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York