Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 2Indiana University Press, 1994 |
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Side 128
... Dash ( US ) recover history through fiction . For Moffatt , the historical truth of Nice Colored Girls ( 1987 ) is the exploitation of Aboriginal women by British colo- nialists . Moffatt inscribes something that has been missing in ...
... Dash ( US ) recover history through fiction . For Moffatt , the historical truth of Nice Colored Girls ( 1987 ) is the exploitation of Aboriginal women by British colo- nialists . Moffatt inscribes something that has been missing in ...
Side 151
... Dash later asks , “ Where have you ever seen a Native American win in the end and ride off in glory ? When have you ever seen an African American woman riding off into the sunset for love ? " ( DBh 49 ) . For Dash , like Moffatt , film ...
... Dash later asks , “ Where have you ever seen a Native American win in the end and ride off in glory ? When have you ever seen an African American woman riding off into the sunset for love ? " ( DBh 49 ) . For Dash , like Moffatt , film ...
Side 152
... Dash history became deeply personal , " familiar , " with the word's Latin ety- mology of " pertaining to a household , domesticity . " After her child was born , Dash thought about " what it would be like to have a child . . . taken ...
... Dash history became deeply personal , " familiar , " with the word's Latin ety- mology of " pertaining to a household , domesticity . " After her child was born , Dash thought about " what it would be like to have a child . . . taken ...
Indhold
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York