The Schenker Project: Culture, Race, and Music Theory in Fin-de-si`ecle ViennaOxford University Press, 28. sep. 2007 - 368 sider Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims to explain Schenker's project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenker's most deeply entrenched values; and Schenker's own position as a Galician Jew who came to Vienna just as fully racialized anti-semitism was developing there. As well as presenting an unfamiliar perspective on the cultural and political ferment of fin-de-si?cle Vienna, this book reveals how deeply Schenker's theory is permeated by the social and political. It also raises issues concerning the meaning and value of music theory, and the extent to which today's music-theoretical agenda unwittingly reflects the values and concerns of a very different world. |
Indhold
Foundations of the Schenker Project | |
The Reluctant Modernist | |
The Conservative Tradition | |
The Politics of Assimilation | |
Beyond Assimilation | |
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The Schenker Project: Culture, Race, and Music Theory in Fin-de-si?cle Vienna Nicholas Cook Begrænset visning - 2007 |
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Adorno aesthetic Alpern analytical antiSemitism argument artistic Bach Bach’s basic Beethoven Bösendorfer Botstein Brahms C. P. E. Bach causality chapter characterisation claim classical composer composer’s concept contemporary context Correspondence Project website counterpoint critical critique culture Drabkin explain Federhofer 1985 foreground Free Composition freie Satz Galicia Geist essay genius German Hanslick Harmonielehre Hegel Hegelian Heinrich Schenker HSEK idea individual issue of Tonwille Jewish Jews Jonas Kontrapunkt Korsyn language Loos Loos’s means Meisterwerk melody mood music theory musical logic musictheoretical Musik musikalische nature Ninth Symphony Ninth Symphony monograph original ornamentation Ornamentik passage perhaps polemics political quoted reference relationship resonance Schenker Correspondence Project Schenker says Schenker’s later Schenker’s theory Schenker’s thinking Schenker’s writings Schenkerian analysis Schenkerian theory Schoenberg Sendung sense shtetl Snarrenberg social specifically sublation synthesis theoretical theorists tonal tones tradition transcribed and translated understanding University University of Vienna Urlinie Vienna Viennese Wagner wrote WSLB