Discourse, Bind 15,Oplag 2–31993 |
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Side 82
... shame . As explicated by Nathanson , " [ T ] he very word shame is derived from an Indo - European root ( skam or skem ) which means ' to hide , ' and from which also derive our words skin , and hide , the latter in both of its meanings ...
... shame . As explicated by Nathanson , " [ T ] he very word shame is derived from an Indo - European root ( skam or skem ) which means ' to hide , ' and from which also derive our words skin , and hide , the latter in both of its meanings ...
Side 169
... Shame and Gender , " Bartky contends that the emotion " shame " is one of the major sites of social reality for women and links the occurrence of women's feelings of " shame " to their inferiorized position under capitalist patriarchy ...
... Shame and Gender , " Bartky contends that the emotion " shame " is one of the major sites of social reality for women and links the occurrence of women's feelings of " shame " to their inferiorized position under capitalist patriarchy ...
Side 169
... shame becomes particularly legible for the ( autobiographi- cal ) girl child whose urge to leave home and to write is what makes it possible to work shame into language and knowledge . That particular knot of identity we saw much less ...
... shame becomes particularly legible for the ( autobiographi- cal ) girl child whose urge to leave home and to write is what makes it possible to work shame into language and knowledge . That particular knot of identity we saw much less ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York