Discourse, Bind 15,Oplag 2–31993 |
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Side 37
... scene which assures the division of the narrative scene from the scene of narration . By thematizing the conventional figures of desire and colo- nization at their most disintegrative juncture , Duras has provided an unblinking and ...
... scene which assures the division of the narrative scene from the scene of narration . By thematizing the conventional figures of desire and colo- nization at their most disintegrative juncture , Duras has provided an unblinking and ...
Side 44
... scene seven years before the story of the lovers begins ; the child is eight years old . Suddenly a beggar woman looms out of the night shadows , throwing narration into a terrifying present tense : " I run . I run more and more quickly ...
... scene seven years before the story of the lovers begins ; the child is eight years old . Suddenly a beggar woman looms out of the night shadows , throwing narration into a terrifying present tense : " I run . I run more and more quickly ...
Side 58
... scene where Isabelle discusses factory problems with her fellow work- ers , sound proceeds almost always from off - screen and is mapped over faces with which it is in one way or another discontinuous . It's not so easy to make sense of ...
... scene where Isabelle discusses factory problems with her fellow work- ers , sound proceeds almost always from off - screen and is mapped over faces with which it is in one way or another discontinuous . It's not so easy to make sense of ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York