Discourse, Bind 15,Oplag 2–31993 |
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Side 9
... reference as unsatisfactory as contemporary accounts of reference may be as a necessary function of lan- guage and all forms of representations " ( 294 ) . The consequent validation of the documentary makes the archival photograph along ...
... reference as unsatisfactory as contemporary accounts of reference may be as a necessary function of lan- guage and all forms of representations " ( 294 ) . The consequent validation of the documentary makes the archival photograph along ...
Side 176
... reference to the material condi- tions of reception ( that is , we now experience film culture largely outside the walls of the movie theater ) , in reference to the profound social changes that destabilize notions of authority ...
... reference to the material condi- tions of reception ( that is , we now experience film culture largely outside the walls of the movie theater ) , in reference to the profound social changes that destabilize notions of authority ...
Side 177
... reference to Paris , Texas , 91/2 Weeks , and The Singing Detective ; and " Politics and Contemporary Movies " considers how a politics of spectatorship is articulated differently in The King of Comedy , The Third Generation , and My ...
... reference to Paris , Texas , 91/2 Weeks , and The Singing Detective ; and " Politics and Contemporary Movies " considers how a politics of spectatorship is articulated differently in The King of Comedy , The Third Generation , and My ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York