Discourse, Bind 15,Oplag 2–31993 |
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Side 95
... racial groups . For the category of race com- pounds an already “ racial " division between men and women and drives a wedge between the sexes in a way that guarantees their estrangement . Forster's A Passage to India and Paul Scott's ...
... racial groups . For the category of race com- pounds an already “ racial " division between men and women and drives a wedge between the sexes in a way that guarantees their estrangement . Forster's A Passage to India and Paul Scott's ...
Side 147
... racial attitudes , as well as that of white musicians , while denouncing " Jim Crow " practices in night clubs , record companies , and the rest of society . Metronome argued , for example , that since " musicians as artists are tradi ...
... racial attitudes , as well as that of white musicians , while denouncing " Jim Crow " practices in night clubs , record companies , and the rest of society . Metronome argued , for example , that since " musicians as artists are tradi ...
Side 156
... Racial Bigotry . " 1945. Down Beat 15 Sept .: 10 . " Negro Bands Lose ' Busses . ' 1943. Metronome Feb .: 5 . Panassié , Hughes . 1934. Le Jazz Hot . Paris : Correa . 1942. The Real Jazz . New York : Smith and Durrell . " Racial Hatred ...
... Racial Bigotry . " 1945. Down Beat 15 Sept .: 10 . " Negro Bands Lose ' Busses . ' 1943. Metronome Feb .: 5 . Panassié , Hughes . 1934. Le Jazz Hot . Paris : Correa . 1942. The Real Jazz . New York : Smith and Durrell . " Racial Hatred ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York