Discourse, Bind 15,Oplag 2–31993 |
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Side 135
... once again be able to act and strug- gle to transform the world . Although postmodernism may constitute a whole new emo- tional ground tone , much of Jameson's mapping of the post- modern condition is familiar territory . Jameson's ...
... once again be able to act and strug- gle to transform the world . Although postmodernism may constitute a whole new emo- tional ground tone , much of Jameson's mapping of the post- modern condition is familiar territory . Jameson's ...
Side 192
... once the answer , the interlocutor , and the disquieting plurality that courses through Kristeva's own dis- course . In fact , it is here , as a technical effect , that the Freudian uncanny , the stranger within us , first encysts ...
... once the answer , the interlocutor , and the disquieting plurality that courses through Kristeva's own dis- course . In fact , it is here , as a technical effect , that the Freudian uncanny , the stranger within us , first encysts ...
Side 43
... Once again Techniques of the Observer can be used to compli- cate the Lacanian model in productive ways . Crary there argues against the opposition that is usually maintained between pho- tography on the one hand and late romanticism ...
... Once again Techniques of the Observer can be used to compli- cate the Lacanian model in productive ways . Crary there argues against the opposition that is usually maintained between pho- tography on the one hand and late romanticism ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York