Discourse, Bind 15,Oplag 2–31993 |
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Side 9
... look , of a " truthful " vision - overtly depends upon the isolation of camera from human look . In a crucial passage from early film theory , André Bazin suggests not only that knowledge of the discreteness of camera and human look may ...
... look , of a " truthful " vision - overtly depends upon the isolation of camera from human look . In a crucial passage from early film theory , André Bazin suggests not only that knowledge of the discreteness of camera and human look may ...
Side 42
... look another crucial feature of Bilder's interrogation of the visual field its discourse upon the human look . 6. The Resistant Look As I indicated earlier , I derive the distinction between the gaze and the eye from Lacan . However ...
... look another crucial feature of Bilder's interrogation of the visual field its discourse upon the human look . 6. The Resistant Look As I indicated earlier , I derive the distinction between the gaze and the eye from Lacan . However ...
Side 43
... look from camera works to buttress the latter's claims to a truthful and scientific vision . In the case of romanticism and early modern- ism , the opposite is true ; freed from its alignment with the optical apparatuses which define ...
... look from camera works to buttress the latter's claims to a truthful and scientific vision . In the case of romanticism and early modern- ism , the opposite is true ; freed from its alignment with the optical apparatuses which define ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York