Discourse, Bind 15,Oplag 2–31993 |
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Side 55
... kind makes students feel anxious ; when you're performing something personal you feel even more vulnerable ; when the teacher has to give feedback to an oral presentation in public , that's a sensitive area . I think no one's really ...
... kind makes students feel anxious ; when you're performing something personal you feel even more vulnerable ; when the teacher has to give feedback to an oral presentation in public , that's a sensitive area . I think no one's really ...
Side 58
... kind of inductive arguing . Miller : I don't know . That's the piece in the book I've had the most response to . And I've also found that people from very different contexts have responded personally to it ; they've written to say , yes ...
... kind of inductive arguing . Miller : I don't know . That's the piece in the book I've had the most response to . And I've also found that people from very different contexts have responded personally to it ; they've written to say , yes ...
Side 133
... kind of pedagogic work I have outlined above.10 In other words , this pedagogy does not work to locate the postmodern subject objec- tively in a structure defined by class , gender , or race . Neither does it bind the subject to its ...
... kind of pedagogic work I have outlined above.10 In other words , this pedagogy does not work to locate the postmodern subject objec- tively in a structure defined by class , gender , or race . Neither does it bind the subject to its ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York