Discourse, Bind 15,Oplag 2–31993 |
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Side 9
... human look , of a " truthful " vision - overtly depends upon the isolation of camera from human look . In a crucial passage from early film theory , André Bazin suggests not only that knowledge of the discreteness of camera and human ...
... human look , of a " truthful " vision - overtly depends upon the isolation of camera from human look . In a crucial passage from early film theory , André Bazin suggests not only that knowledge of the discreteness of camera and human ...
Side 17
of human vision as an agent of illumination and clarification which the Dürer drawing is made to figure . But at the moment that the voice - over utters the word " Aufklärung , " that drawing gives way to a radically different image ...
of human vision as an agent of illumination and clarification which the Dürer drawing is made to figure . But at the moment that the voice - over utters the word " Aufklärung , " that drawing gives way to a radically different image ...
Side 88
... human be described with certainty so that it can be recognized by everyone ? - By everyone - also a machine . How to describe a face ? The police is not yet able to register the characteristics of a human face that remain the same , in ...
... human be described with certainty so that it can be recognized by everyone ? - By everyone - also a machine . How to describe a face ? The police is not yet able to register the characteristics of a human face that remain the same , in ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York