Discourse, Bind 15,Oplag 2–31993 |
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Side 100
... grief as the telos of mourning . In that essay I took Barthes's Camera Lucida as my countertext to Freud's " Mourning and Melancho- lia . " Barthes , refusing the Freudian model of mourning , seeks instead to sustain the strength of his ...
... grief as the telos of mourning . In that essay I took Barthes's Camera Lucida as my countertext to Freud's " Mourning and Melancho- lia . " Barthes , refusing the Freudian model of mourning , seeks instead to sustain the strength of his ...
Side 103
only grief in their wake . Thus the reversibility of the trajectory of grief to rage which Fisher promised in the beginning of his essay remains only a figure of possibility , glimpsed in Fisher's own reading of Hamlet's grief as a ...
only grief in their wake . Thus the reversibility of the trajectory of grief to rage which Fisher promised in the beginning of his essay remains only a figure of possibility , glimpsed in Fisher's own reading of Hamlet's grief as a ...
Side 105
... grief . From the perspective of Fisher's essay there is something thus exemplarily Hamletic about her : she refuses to relinquish her grief , to give up the very singularity of her little daughter's death ( she was my daughter ! ) to ...
... grief . From the perspective of Fisher's essay there is something thus exemplarily Hamletic about her : she refuses to relinquish her grief , to give up the very singularity of her little daughter's death ( she was my daughter ! ) to ...
Indhold
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Copyright | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York